Thursday, March 19, 2015

Happy Birthday Sigrid Arnoldson, plus a cautionary tale




My last trip to Cleveland, I was going through a box of old photographs and came across the following dramatic portrait, obviously a singer or actress. Although the features seemed familiar, I couldn't recall whose portrait this was, so I looked at the back, only to be confronted with a blank expanse. 

Mystery portrait: Who is she???

The identity was known when I obtained it, but nothing was written on this large photo, which was likewise dissociated from any receipts or catalog entries. In other words, an orphan photograph. However, luck was watching out for me, for later a small album yielded this late 19th century trade card of singer Sigrid Arnoldson, advertising Lorillard tobacco:

 
This certainly looked like the photo, and now that I had a name it was a matter of minutes to look on the internet and confirm the identification with other Arnoldson photos from the same session, such as this one on the delcampe.net website. 

 
Sigrid Arnoldson, a famous Swedish singer with an international career who lived from 1861 to 1943, was an important part of the music scene in the late Nineteenth century. In a manner reminiscent of Adelina Patti, Arnoldson combined the high status of classical singers with the relentless merchandising of the period to enter the realm of popular culture. Her face and name appear often in relics of the period, frequently in sets of trade cards issued by tobacco and other companies.

Luckily, Arnoldson lived into the era of early phonograph recordings, so her voice was preserved for the future.  That same visit, I opened a box of old 78-RPM records stored in a cabinet, and miraculously there was Arnoldson's 1906 Berlin rendition of the Swiss Echo Song, a popular Victorian display piece. (You may hear this recording, although not from my copy, on Youtube.) 
  

 
The important lesson here is that we are the custodians of the objects we collect, and there is no excuse to allow identifying information to be lost. Names and locations should be written on the backs of photographs with pencil (but please avoid ink or felt tips, which over the years will bleed through). 

Arnoldson's birthday is March 20th, which makes this an especially appropriate time to review her story. I must have had a premonition that I would one day be called on to celebrate her birthday: I was all prepared with this c.1890 box of Sigrid Arnoldson Birthday Candles! That is the pleasure of collecting—once someone like Arnoldson registers on your mental radar, locating an insignificant object like these candles becomes an occasion of great excitement and amusement.

Still filled with the original candles!

 
The spirit of Sigrid Arnoldson must have been at my elbow last summer, protecting her image from neglect. Although most of my things are packed away in deep storage, it seems that every time I opened a box I found an object related to her. A few days before I left, one last very beautiful portrait from 1894 virtually materialized in a folder of architectural photographs. She looks very relaxed now that I have labeled her picture, and order has been restored!

Sigrid Arnoldson, March 20, 1861 – February 7, 1943


All photographs and original items, except as noted, property of the author.

Sunday, March 8, 2015

Taipei Lantern Festival for Goat Year, 2015

(Note: Lots of colorful photos, so please be patient while they load.)



This pig driving a banana is welcoming you to Lantern Festival!
Lantern Festival comes at the end of Chinese New Year, a time when handmade lanterns in incredible shapes are built to celebrate the special themes for the year, or for that matter any subject, charming or strange, that comes into the maker's head. (I last reported on Lantern Festival during Dragon Year.)

The way it works is that different schools, groups, and even companies enter their lanterns in various categories, and at some point winners are chosen. This post has only still photos, but many of the lanterns were mechanized, having various moving parts, and sometimes even steam issuing forth.


Since this is Goat Year, many of the lanterns are goat themed, and this arrangement of two goats with the Taipei 101 Tower was one of the best.


As you leaf through these photos, note your favorites, and let me know at the end. It is a difficult choice; even these here were weeded out with difficulty from over five hundred photographs! (How could we ever have existed before digital cameras?) 



The festival was spread out over a large park, as seen from one vantage point.



This one was looks like a slug with its tail in a bowl—perhaps a genie-like creature coming out? I saw many local people who seemed equally bewildered.

A set of horse lanterns was particularly finely made.

Pegasus, or at least some flying horse, was the centerpiece.

The makers couldn't resist adding this charming pony.

Although this traditional house is a larger complex, I'm sure you can identify all the same features as on the Chinese House Bank.

This sea creature tableau, composed of turtle, sea urchin, clam with pearl, crab, and adorable smiling shrimp, is supposedly made by an elementary school, but I somehow detect the hand of the art teacher.

This lantern does look like it was actually made by elementary school student, which to me gives it an extra charm. Although somewhat crude, it is still much better than I could do were I to try my own hand at it.

One problem with recent lantern festivals is the increased use of Christmas-type lights, which I feel is cheating. However, in this scene both types appear combined to good effect.

This tufted elephant is a very well crafted lantern.

Stunning is the only word that can describe this eagle on a rock.

Off to the circus, starting with this delightful carousel.

…a Ferris Wheel…

It is always a mystery whether clown figures are deliberately meant to be scary, or just come out that way. This huge clown’s head coming out of the ground is many times larger than the surrounding acrobat lanterns.

The reason that Taiwanese children behave is because their parents tell them that otherwise this giant clown lantern will come to get them!

Acrobats.

It’s a little hard to see in the picture, but this tree lantern was a real tour de force.

A pumpkin coach right out of a fairytale.


Astonishing quality, both design and construction-wise, in these dancing elephants.

I always like to see lanterns depicting traditional Chinese scenes.


Every year there is a main lantern with the theme of the current zodiac animal. This metallic, twinkling goat on a mountain top was about five stories high. There were lights playing, music blaring, and the mountains grew and changed shape!


One problem with the giant goat lantern was the ultra-bright, moving yellow and purple lights at the base, which played over the crowds, blinding people and making photography difficult.

Here is one final overview picture of the Goat Year Lantern Festival. The creativity and quality of these huge lanterns (the average height was probably six to ten feet) is amazing, especially for something so ephemeral. It is sad to think of all these being dismantled next week.

Again, let me know your favorites, and if looking at these has given you any ideas, tell me what design of lantern you might submit for a future festival. 



An elevated walkway made a convenient spot to take this photograph.




Saturday, February 28, 2015

May Your Halls be Filled With Gold and Jade

“May Your Halls be Filled With Gold and Jade” is a common Chinese New Year greeting, and one that can literally become true if you happen to have a Chinese lithographed tin house bank like the one below. This object combines many of my favorite collecting interests: houses, toy banks, lithographed tin objects, and Chinese antiques.


This bank represents a traditional Chinese house, the type that can still be found in the countryside and occasionally in the city. The construction is of large bricks, with stone windows. On top is a tile roof with an elaborate crest and decorative gable ends. These fancy elements on real buildings are often picked out with colorful glazed tile work, as indicated on this model. A favorite detail is that it sits asymmetrically on its cobblestone base, thus giving it the tiniest of yards. 

Chinese New Year is under celebration in this tin house, indicated by the red papers, inscribed with auspicious sayings, pasted around the doors. These red papers are still to be found absolutely everywhere, on old buildings as well as new ones. Touchingly, even when these old houses are crumbling and uninhabitable, the owning families will return each year to the family seat and paste up fresh red papers.


From Handbook of Old Taiwan Houses, by Kang, Ruo-xi
   
The real house above in Taoyuan County (near Taipei's International Airport) closely resembles the tin example, down to the stone courtyard and lucky red banners.


 
On the doors of this bank are the single characters for Spring and Luck, as Spring Festival is the alternate and more traditional name for Chinese New Year. Here they are displayed right side up, but it also is traditional to display them upside down.

Above the doors is the banner hoping that the house will be “filled with gold and jade,” with the coin slot located conveniently just above. This greeting is still in frequent use; there are also variants wishing you “gold and silver” and even just plain gold.

The 'plain gold' version “A thriving business and Halls filled with gold”, on a transom in my own apartment, present when I moved in.


The two vertical side banners convey a specifically New Year’s sentiment. On the right it says, “One night joins two paths” and on the left “The dawn separates two years.” The word used for path, wai, suggests the kind of twisting paths found around mountains and rivers, thus symbolizing the preceding and coming years. Instead of the actual word for dawn, the adage interestingly employs the term “fifth watch,” using an ancient Chinese system for dividing time. The night, roughly 7:00 PM to 5:00 AM, was divided into five watches, with the fifth watch covering the period from 3-5:00 AM, which was considered the true dividing line between the days. 

The sides show several window grills of the type usually made from heavy green tiles. 


The back of the bank features a stone window set with vertical bamboo posts. The actual posts in these frequently seen windows are either stone carved like bamboo, or sometimes colorfully glazed terracotta.



When I was small, my father collected toy banks, both tin and cast iron, and family excursions hunting for these were my introduction to collecting, so I was doubly pleased to find this traditional Chinese example. Let me know if you ever had a favorite toy bank, or special container for saving coins. 

Chinese sayings often wish the recipient wealth and prosperity. Their presence on a coin bank helps to guarantee this by teaching the virtue of saving money. However good fortune arrives, here's hoping that your halls this year will be well filled with gold, silver and jade, in addition to peace and health.



=================================================================
[I hate to distract readers with Chinese characters and accented transliterations, but since rough translations cannot specify the original sayings, I place them here for reference:

金玉滿堂        jīn yù mǎn táng          (May your halls be filled with gold and jade.)
,              fú,    chūn                 (luck,  spring)
一夜連雙崴    yī yè lián shuāng wǎi  (One night joins two paths.)
五更分二年    wǔ gèng fēn èr nián    (The dawn separates two years.)
生意興隆 金滿堂  shēng yì xīng lóng, jīn mǎn tang  (A thriving business and Halls filled with gold.)]
=================================================================

Wednesday, February 18, 2015

Happy Goat Year


 Thursday, February 19th is Chinese New Year Day. This year is the Year of the Goat, but the same character can also mean sheep or ram, so you have considerable leeway in deciding how to celebrate. These animals are very much a part of Chinese art, found in many forms and media, but even accepting all three alternatives does little to eliminate the possible confusion.


 
This ceramic goat with its raised head and happy expression looks like it might have been part of a set of Chinese zodiac animals. Its kneeling posture solves the problem of delicate, easily-broken legs, and details in blue give a lively dash to this relatively realistic animal.



 
Perhaps a garden scene is intended for this very deep architectural carving of two goats among various vases, pots, fruits and flowers, including a spectacular, out-of-proportion gilded chrysanthemum in the central vase.



A closer look at the right-side goat.

The corresponding bracket closely matches the first one, this time with two human figures displayed in a very similar garden.  The figure on the left appears to be playing a lute; oddly, the central vase seems to be unfinished.



 
This charming small octagonal wooden bowl demonstrates some of the problems identifying animals in Chinese art. When fine details are not present, it is difficult to tell the difference between goats, deer, and other similar animals. Usually deer have branched antlers that stick straight up from the head, and are frequently depicted as spotted, while goats have unbranched horns of various shapes.  This one seems just about in between, but let me know whether you think this represents a goat, a deer, or some other animal.


The adjacent panel is crisply carved with the character meaning East.


 
The above boxwood carving has some very unusual features. It is of a longevity god, holding a staff in one hand and his beard in the other, and at his feet is kneeling a goat. At least this really looks like a goat, with two unbranched horns close together. Yet the longevity god known as the Old Man of the South Pole is commonly depicted accompanied by a spotted deer.  In this kind of naive artwork one expects to encounter many variations, both in what was intended and the way it is depicted, so in the end the viewer has to decide upon a plausible interpretation.


The back reveals the original function as a seal case or small box.  The sliding cover that fit in those grooves has unfortunately been lost.

 
The above pair of very realistic and modern goats, down to their horns, hooves and even beards, appears on a carved window. This image is from the book Dong Yang Woodcarving by Hua, De-Han.



 
For sheep fanciers out there, this pair of once-gilded finials appears to depict sheep, but once again we are on a tangent of speculation. The cloven feet and fleecy wool are decidedly ovine, but the heads, while appropriately broad, are like nothing on this earth. They almost appear to have anteater-like snouts.

These is a sad story connected with these sheep. The last time that I moved, several boxes apparently didn't make it, and these were among the lost items. So although I still consider myself their owner, I do not currently possess them, and cannot double-check or re-photograph their features. I particularly regret their loss, since I have never seen anything to compare with them. I also admired their other-worldly charm and the quality of their carving.


 
Lantern Festival this year is sure to offer innumerable goat and sheep lanterns. This goat lantern, while not from a Goat Year, shows the effect that can be achieved. It is entirely made from empty Yakult containers, a type of yogurt drink, and I consider the tuft of grass it is eating a great added touch.




 
A bracelet with double ram's heads, in green stone, represents the third official possibility for the year's mascot. Although clearly not meant to deceive, it has the air of an archaic jade carving. 



Finally, here is a modern interpretation, showing that the spirit of these animals has never left Asian art. These fluffy sheep, carved from mother-of-pearl, are actually chopstick rests that I recently found in a kitchenware store.

I hope that you are now in the mood to celebrate Goat Year. There are plenty of realistic and unequivocal portrayals in the goat-sheep-ram continuum, but as always seems to happen in Chinese art, one soon runs into gray areas. The only way to settle the issue is to let me wish you all:  “Happy Year of the Goat, Sheep, Ram, possibly Deer, or any animal, real or mythical, that even vaguely resembles them.”



All photographs by the author, except as noted.