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The first sight of the house on Mentor Road. |
Some adventures are carefully planned; others just fall into
your lap. The latter method was my introduction to the Murray-Dunn house in
Mentor, Ohio. My stepmother Claudia and I were driving down Mentor Avenue, when
we noticed a large, fancy and very decrepit old house behind a wall.
We stopped to take a look. Obviously no one could be living
in a house in this condition, so we crept a little closer for a better inspection.
Suddenly we heard a noise, the front door slowly opened, and an incredibly old
man came out and asked if he could help us. We were of course nonplussed, and
glad that he was not the type to shoot first and ask questions later. We told
him how much we admired the architecture of his house.
He immediately became friendly, and started telling us about
the history of the house and the surrounding area. Before he retired, he had a
nursery business nearby, and indeed plant nurseries have always been important
in Lake County, Ohio, in which Mentor is located. Mr. Dunn graciously invited
us into his home to show us around and tell us more about the old days, and so
we got our first glimpse of the house’s marvels.
Thus the matter stood for a while, and then Claudia noticed
in the paper the sad news that Mr. Dunn had died. Since she has connections in
real estate, she was able to get us permission to explore and photograph the
house thoroughly.
There were three main areas to inspect: the large house, the
old barn/carriage house, and the magnificent yard. Robert Murray, 1814-1896,
built the original Greek Revival farmhouse on Mentor Avenue in 1847. Later, his
son, William P. Murray, 1854-1918, converted this house into a summer residence
in 1898, enlarging the house and grafting on a kind of Arts-and-Crafts
architectural style, with a crenellated tower. Helen Murray then maintained the
house and farm until the property was sold to Thomas Dunn in 1951.*
Near the house was a simple, semi-Gothic style barn or
carriage house with board-and-batten siding, more in style with the original Greek
Revival main house. In the carriage house was a classic car from the 1960’s, in
virtually mint condition. This was Mr. Dunn’s pride and joy, and he delighted
in telling us how it only had a few hundred miles on it, and he only took it
out in the summer during good weather for a few short rides.
As imposing as the main house was, the most impressive
feature of the Dunn estate was the generous 10-acre park-like yard, filled with
magnificent specimens of often unusual trees. One of the Murrays must have been
a plant collector, as some of the trees were not native to Ohio. A special part of
the house was how each of the rooms was designed to feature a view of the
spacious green yard with its large trees.
Here then is a tour of the Murray-Dunn property. Many of the
outside shots are in black and white, although I never recall using that kind
of film. Apparently there were two photographic excursions; there are small
differences noticeable between the black-and-white and color shots of the same
features.
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The tower as seen through the front gate. The posts and wall are made of pressed stone, popular at that period. | |
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The back of the house. The pressed stone was also used for the foundations of the added wings. |
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A view of the side yard, with its specimen trees. |
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A mature ginkgo tree with its fronds silhouetted against the barn. This may have been the oldest ginkgo tree in Ohio. |
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The barn or carriage house. You can just make out the vintage car inside, of which Mr. Dunn was so proud. |
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The working shutters on the barn and house must have been convenient when closing the house for the winter. |
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The tack room in the carriage house, eerily well-preserved when compared with the rest of the house. |
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Mysterious stairs going up to the loft. |
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The original Greek Revival front door, with added wrought iron gas lantern. |
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A better view of the Greek Revival details. Someone has "lifted" the gas lamp and door knocker! Note the contrast with the newer varnished porch ceiling. |
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A close-up of the tower. |
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The back door, a two-part Dutch door with leaded panes in the Arts-and-Crafts style. Lion's head door knocker beneath. |
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The intersection of old and new parts of the house, also showing damage and neglect. |
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This part of the enclosed front porch is something of a shambles. |
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A large hole in the porch ceiling, with a glimpse into that enchanting yard. |
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A black and white photo, but giving a better idea of the view into the front yard from the porch. |
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This end of the wide porch is better preserved. This must have been a cool oasis for guests on hot summer days. Your imagination must supply the wicker furniture and hanging plants. |
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The Arts-and-Crafts living room, the best-preserved room in the house. Note the sashes full of round bull's-eye panes. |
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The fireplace featured an odd slate roof, with cabinets underneath. |
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The bay area of the living room. Bull's-eye panels above, with normal panes that when clean looked out into the front yard. |
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The walls of the living room were entirely covered with tapestry. Another Arts-and-Crafts touch. |
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The basements in old houses always seem to be scary. This one, with its long enfilade of rooms, would make the perfect setting for a horror movie. |
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Houses like this were meant for entertaining large weekend parties, so lots of storage for food was needed, as evidenced in this corridor lined with iceboxes. That small window can be seen in the above photo showing the back of the house. |
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A walk-in refrigerator or freezer. If that horror movie had been made, I am sure those meat hooks would have played an important part! Note the flashlight needed so the camera could focus in this dark room. Even though some lights worked in the house, most did not, and the overall lighting was dim. Flashlights are the house explorer's most important tool. |
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Now we proceed to the second floor. Here is the walk-in linen closet, needed for all those guest rooms. |
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Very old houses tended not to have closets. Here a cedarwood-lined closet is provided, with ventilated shoe storage underneath. |
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This 1898 bathroom survived intact. There was a free-standing claw-foot tub opposite the sink. |
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Some rather severe damage on the interior. That television set reminds us of how long it had been since any money was poured into the house. |
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At first this just looks like a trick of perspective, but this really was a small door next to a large one. I am not sure if this represents the junction of the old and new areas of the house, or if the smaller door was for the use of servants. |
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A second-floor fireplace in the added cobblestone chimney, fitted between the dormers. That mantelpiece looks like new! |
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Sleeping porches were all the rage back then. |
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The littered upper hall. |
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The upper stair landing, showing the Colonial Revival staircase, an odd window in the stair wall, and a large, handsome skylight that must have been quite impressive when the house was in good condition. I do not recall into what kind of room those glass-paned doors in the hall led. |
Lake County was (and is) the site of many distinctive
houses. Claudia and I were lucky to have discovered the Murray-Dunn house, to
meet the remarkable Thomas Dunn, and to get the chance to explore the house and
take these photos. The timing was extraordinary, because shortly afterwards the
house and entire property was razed. The land was sold for a car dealership
which eventually closed, and now I understand it is the location of a Target
store.
There are no vestiges left of the Murray’s once-grand residence,
or of the expansive lifestyle they led in their ostensible castle. I think my
greatest regret was to see that beautiful yard destroyed. We all enjoy restored
museum properties, but buildings which stand in the way of progress will not
wait forever. Visit them at the first opportunity, regardless of their
condition. Did you ever visit a house or historic property that is now no
longer there to appreciate? Let me know in the comments!
*This history of the house was condensed from information
obtained from the Lake County Historical Society.
All photos were taken by, and are copyright of the author.